Guest Post: The Music of “World of Shadows”

As promised, here is Emily Rachelle’s guest post about the music she listened to while writing World of Shadows. I encourage you to read my review from last week, visit Emily Rachelle Writes, and purchase the book on Amazon.

When I write a book, I always have a playlist to go with it. Here are some of the tracks on my playlist for World of Shadows:

Like any faithful Disney fan, I love the soundtrack from their Beauty and the Beast. But not many of those songs really fit with my own story. I did listen to the classic “Beauty and the Beast” as well as “Something There.”

One of my absolute favorite songs while working on this novel was actually an obscure instrumental piece I found while doing historical research. It’s called “French Renaissance Lute Branle.” I’ve listened to this one on repeat for hours while working on scenes in the tunnels. It’s very relaxing.

I would be remiss if I didn’t acknowledge one of the biggest influences on my work. I know there are quite a few similarities between the fantastic show Beauty and the Beast from the 80s and my own Beauty and the Beast story. I’m pretty sure I saw this show after writing most of my first draft, although it’s been so long I don’t remember completely. There’s been a reboot of the show running for a few years now with an Asian heroine and a modern genetic-experiment twist. I watched the first two seasons; it’s romantic and full of action, but it lacks the magic of the original.

Anyway, the songs from this show that most spoke to my work included the suite from the episode “To Reign in Hell,” the score “Labyrinth,” and “Though Lovers Be Lost” from one of the most controversial episodes on the show.

There were also several modern tracks that connected with me while working on World of Shadows. I love “Demons” and “Monster” by Imagine Dragons. The mysterious aura of the characters and world in my story also fit well with “Riddle” by Mindy Gledhill.

Beila’s place in the tunnel world seemed best connected with “Mercy” and “Come Home” by One Republic.

The emotional setting and tempo of the book were perfectly embodied in Jennifer Thomas’ instrumental work “Illumination” and William Joseph’s “Stella’s Theme.”

The perseverance required of Beila as the book progresses, especially emotionally, was expressed well in Jayesslee’s cover of “I Won’t Give Up.”

On a romantic note, I frequently listened to “I Will Always Return” by Bryan Adams. I adored his work on Spirit as a kid. As cliched as it is, I enjoyed “A Thousand Years” by Christina Perri. A lesser-known favorite of mine is “Sunshine” by Lucas Grabeel, an actor from Switched at Birth. Finally, “All About Your Heart” by Mindy Gledhill is just beautiful.



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